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Open castings from production companies, casting agencies and indie filmmakers.
Lead. Brilliant, restrained, increasingly unmoored. Mostly internal performance, close-ups carry the film. Several scenes in Russian, willingness for accent work essential.
Bookish, melancholy, prone to digression. Voice should sit low and slow.
Institute director. Old-school authority, paternal warmth disguising cold pragmatism. Two long monologues, one in lab, one over chess.